RE:BIND

Browsing posts from: July 2019

Theaters are a strange place, with more trace amounts of bodily fluids than you’d care to imagine and an extensive residue of human suffering from years of poor treatment of staffers. If psychic impressions were a petri dish for the metaphysical, then it makes one wonder what grows on the sugary, artificial butter-coated sticky floors and cracked plaster behind the foggy glass of the popcorn machine.

Throw in the high intensity of the countless emotions felt across the entire spectrum during showings, and theaters turn into a putrid spiritual cauldron of the psyche, the perfect place to manifest something from another world; a portal into the realm of the subconscious.

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Be warned, we’re getting into spoiler territory here from the outset. Turn back now if you’ve yet to finish the game.


For you can tie me up if you wish,

but there is nothing more useless than an organ.

When you will have him a body without organs,

then you will have delivered him from all his automatic reactions

and restored him to his true freedom

To Have Done with the Judgment of God, Antonin Artaud

LUCAH: Born of a Dream, from gamedev collective melessthanthree, thrusts you head-first into a world beyond any sense of logic or understanding. Everything around you coalesces into an undulating mass of incomprehensible action; the only thing that makes sense anymore is fighting. Some of the first words that greet you in this world: ”You can’t help but feel you’ve been here before. You can’t help but feel they only want to hurt you. But you know you must move forward. You must fight.” And fight you do, pushing back against the ever encroaching Darkness that blankets the land.

This Darkness exists as an extension of the world, to a degree, leading you to press ever-forward, unable to turn back. In it, we move toward a cyclical process in which this place eventually dies, destroyed one way or another, only to return once again to its original state of being. It’s an endless feedback loop; one that seemingly betrays no signs of stopping. You find yourself trapped in this place, fighting through loop after loop, attempting to enact change to no fruition. LUCAH’s world is one destined to fall, only to rise from the ashes again and again, a dark, undying phoenix. Decay holds no permanence here.

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The yawning void stares at you. An infinite murk, resting beneath a cloud-tumbled sky. In the distance, a tower reaches out into the heavens above, a light atop it blinking. You sit beside Christian, another soul lost in the ether, like you. You call yourself Lucah, at least, now you do. The Marked One. A cursed child tossed into this realm of madness, damned to fight a Sisyphean battle against the twisting horrors that await your ever deeper plunge into this beckoning unknown.

Christian decides time is up for this moment of peace. Your heart-to-heart finishes abruptly, and they demand a fight from you. Death is the only true peace in this world, so far as they can tell. And they desperately want to be at rest, finally, entirely; to find an escape from this world is to find hope and love once again.

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(CW: Suicide, Self-harm, Vehicular Accidents, Mild Gore)

Dissolving (known in Russian as Исчезая) is a pleasant little bilingual visual novel by studio Flying Whale. Inspired by internet folk tales and post-digital-utopian cyber fiction of the early 2000s, Dissolving is a healthy dose of metaphysical skepticism.

As our zeitgeist trends towards cynicism of, and disbelief in, technological progress as a shared social project, more and more people begin to question if anyone, or anything, is at the wheel of this thing; Dissolving plants its thesis firmly in this knowledge gap, enticing you to learn more, at horrific cost.

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