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RE:BIND

Browsing posts from: Mx Medea

Preface:

Getting Over It With Bennett Foddy is a game by the titular Bennett Foddy that was released in the far-gone year of 2017 to much contemporary critical acclaim and analysis. Why then revisit an already well-explored game years after its release? Personally I find it almost poignant to talk about the game as a memory, as an experience that has stuck with you that you find yourself reflecting on years down the road, much as one reflects on tough times, challenges overcome, or mistakes that they’ve made. We engage in this all the time in our lives, and what is art, if not something that seeks in an ephemeral but present way to be part of our life experience?

Now, this article is going to be a long one, it’s not titled Volume I without reason. This isn’t our normal fare, it’s dense and a slow burn, after all this game has a lot to say and I’ll be touching on far less than half of it, but I hope you’ll find it meaningful. So go get some water and settle in, I won’t judge if you can’t finish this in one sitting so don’t feel pressured to, if you need to take a break this article will still be here, and you can pick up right where you left off.

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When I was younger there was a strange atmosphere to exploring the internet, the heady sensation of an explorer standing on the edge of the world. You could find the most fascinating places to delve into and map out through obscure web forums, conversations with friends who would drop mysterious locations that they had discovered themselves in your lap, or even a spiraling web of Wikipedia notations.

It was on one of these early web-dives that I, entirely by chance, came across Knytt Stories, a seemingly little known game series by Swedish developer Nicklas Nygren (@Nifflas on twitter). The series had multiple fantastic main entries with countless pages of fan-made content that I spent the next month playing through, one after another.

Knytt Stories, or geocities? You decide.

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Don’t let this guy fool you, Doom is not a Rhythm game

Why modern mainstream FPS games flee from the demons of their forebears

Running through hallways. Low on health, out of ammo, not knowing if the next corner would lead me to the salvation of a health pack, or to a horde of demons ready to slam dunk a fireball down my throat with no way left to fight back. Haggard, tense, tired.

This was my experience with Doom in the 90s, and one I’ve found sadly lacking across the last decade of mainstream games, replaced instead with regenerating health, demons that explode like piñatas of goodies, and a misplaced sense of near-immortality. Games, unlike any other medium, provide unique experiences at the intersection of story, setting, and mechanics, but it’s a fundamental shift in mechanics across the medium that is responsible for this spiral from horror to god complex.

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